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Fontes contents 2025 (vol. 72)
Vol. 72/1, January-March 2025
Articles
- Music Publishing in Kraków in 1850–1918 Michał Lewicki
- Performing Arts and Noblemen Education: New Perspectives From the Library and Archive of the Collegio San Carlo in Modena (18th–19th Centuries) Riccardo Castagnetti
- ‘The Most Galant and Superb Celebrations’: Musical Performances at Chantilly for the Coronation of Louis XV Mary Cyr
- Archduke Maximilian Franz and the Chamber Music of Leopold Hofmann Allan Badley
Briefs / Feuilletons
Corresponding Editors: South Africa
- Curating a Colonial Archive: The Tamássy-Pauw Flute Scores Collection Esther Marie Pauw
Reviews
- Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era. By Jeremiah Lockwood Alon Schab
- The Motet in the Late Middle Ages. By Margaret Bent Kathleen Sewright
Information for Contributors
Vol. 72/2, April-June 2025
Articles
- From Leningrad to Bloomington: Fëdor Lavrov’s Soviet Punk Legacy and the Ongoing Relevance of Dissent Laikin Dantchenko
- How Tracking RISM’s Footprint Across (South) Africa Led to the Discovery of San Rock Paintings, !Gõin !Gõin, and an Elephant in the Music Room Wilhelm Delport
- Sources of Ignace Pleyel’s Symphonies in Spanish Cathedrals Around 1800 Héctor Eulogio Santos Conde
Briefs / Feuilletons
Information for Contributors
Vol. 72/3, July-September 2025
Articles
- Adoption of Music Open Educational Resources Among International Association of Music Libraries (IAML) Participants: A Cross-Sectional Survey Chuck Peters and Carla Williams
- Cavalleria Rusticana: Rapid Production and Extensive Media Interest in Stockholm in 1890 Anders Nettelbladt
- Encoding the Users: Towards a Copy-based Assessment of Early Printed Music Elisabeth Giselbrecht
Briefs / Feuilletons
Corresponding Editors: Sweden
- The Rogge Library’s Music Collections Elisabet Andersson
Reviews
- Avant-Garde on Record: Musical Responses to Stereos. By Jonathan Goldman Frankie Perry
- Music and Dance as Everyday South Asia. Edited by Sarah L. Morelli and Zoe C. Sherinian Joe Kinzer
Information for Contributors
Vol. 72/4, October-December 2025
Articles
- ‘Toccate per Cimbalo del Signor Domenico Scarlatti’: An Unexplored Early Source Águeda Pedrero-Encabo
- Digital Scores, Outreach, and Accent Walls: Insights into Music Students’ Perspectives of the University of Toronto Music Library Tim Neufeldt and Sabine O’Donnell
- Composing African Modernities: The Iwalewa-Haus Score Collection as Archive and Epistemology Stephanus Muller
Briefs / Feuilletons
Corresponding Editors: Sweden
- The GOArt Center and its Library, where the Organ is the Focus Pia Shekhter
Reviews
- Köchel-Verzeichnis: Thematic Catalog of the Musical Works of W. A. Mozart. Edited by Neal Zaslaw Robinson McClellan
- Vaughan Williams, Ralph. A Sea Symphony. Full score and vocal score. New edition by David Matthews. London: Stainer & Bell, 2024, 2022. Eric Saylor
- Every Valley: The Desperate Lives and Troubled Times That Made Handel’s Messiah. By Charles King Mary Black Junttonen
- La vie mystérieuse d’Antoine Mahaut: Flȗtiste et compositeur à Amsterdam et à Paris [The Enigmatic Life of Antoine Mahaut: Flutist and Composer in Amsterdam and Paris]. By Rien De Reede Douglas MacMillan